Por James Dever jamesdever Bandcamp tylerdever Bandcamp jamesdevermusic SoundCloud jamzdenver Twitter ← Genesis Previo pista por este artista → Exodus Siguiente pista por este artista.
Lanzado el 13/7/2011.
Duración: 2:06.

Escucha en Bandcamp o YouTube.

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Contribuidores:

• Erik Scheele erikscheele Bandcamp erikscheele SoundCloud jitters20 Twitter jitmakesstuff Tumblr Jitmakesstuff YouTube erikscheele.com Otro ← Genesis Previo contribución de pista por este artista → Exodus Siguiente contribución de pista por este artista (performance)

Pistas que referencian Eden:

De Fandom:

• ˚ Disk 2 ˚ por Veritas Unae
• Garden of Eden (Part 1) por Veritas Unae y David Ellis
• A Farewell to Arms por Catboss

Imprimir o descargar partituras:

• Piano score by James Dever (original composer)

  • Eden - James Dever.pdf (34.7 kB)
• Alternate opening bars by Seppuku

  • Eden - Seppuku (alt starting bars).png (74.1 kB)

Comentario del artista:

James Dever: (composer's notes)

The Garden of Eden is where the first man Adam, and his wife Eve, lived after their creation. It is suppose to be a beautiful, blissful utopia. It also becomes the origin of sin. The piece reflects that concept. The flowing and adventurous nature of the piece is suppose to reflect the beauty and majestic qualities of the land. As far as the kids story goes, it represents the infinite potential of Skaia. This song also continues the same hemiola motif as Creation with triplets played by the right hand and eighth notes played by the left. The glissandos at the beginning and in the middle is an E flat pentatonic run, which basically means I only played on the black keys. Since it's completely ad libbed I wrote out a small little example. Basically, the left hand just continues up normally while the right hand goes back and forth while slowly climbing up (if looking at the sheet music, each note alternates on the hands).

James Dever: (Bandcamp rerelease about blurb)

The goal here was to feel like a breath of air after the first two movements had a much more minor modal center. The three over two polyrhythm keeps powering through the movement as I start introducing bass ostinati that act as the pedal tone to the melodic content.

Still in love with those flourishes after all these years.