Fight For the Future
By Rainy
andyomon00
SoundCloud
rainywishes
Tumblr
YouTube
YouTube
andyomon00
Twitter
←
From the Void
Previous track by this artist
→
A Life Worth Living
Next track by this artist.
Cover art by animmania
Animeshowfan
Twitter
animeshowfan
DeviantArt
←
Through the Looking Glass
Previous track art by this artist
→
A Life Worth Living
Next track art by this artist.
Released 12/4/2019.
Duration: 6:48.
Listen on Bandcamp, YouTube, or Spotify.
Read artist commentary.
Tracks that Fight For the Future references: Tracks that this one references:
- Rex Duodecim Angelus by Malcolm Brown
- Showtime (Original Mix) by Malcolm Brown
- On Apocalyptic Shores by Rainy
- Cascade (Beta) by Tensei
- Aggrieve by Mark J. Hadley
- Darling Kanaya by Toby Fox
- Oppa Toby Style by Toby Fox
- Freefall by Robert J! Lake
- Ugly Betty by Robert J! Lake
Tracks that reference Fight For the Future: Tracks that reference this one:
- From Fandom: Tracks from Fandom that reference this one:
Artist commentary:
Rainy: (booklet commentary)
Another climactic track and by far my most ambitious track no this album. During, development I just knew that i had to have a track about [S]Collide on this album. It would be an understatement to say that the fight with Her Imperial Condescension in [S] Collide was the most important moment in Roxy's arc. Roxy facing down the person largely responsible for everything bad that has happened in their life is a pretty major moment, and i wanted to capture it in song form.
As for the song itself there is a lot to talk about. The opening Rex Duodecim Angelus makes it pretty apparent that I took a lot of influence from that song. I also took osme influence from the track "Negastrife" from One Year Older. I tried to include motifs from just about every person involved in the fight against HIC. The only person who I failed to have a motif for was Jane, but its fine since she's a xenophobe now lol (thanks homestuck epilogues). Another thing of note is the original motif of this song that is played in the bass for most of this track. I originally came up with the motif messing around with the kirby's dreamland 3 soundfont. I got this really cool sounding bass line that i liked so much I made it the main back bone of this track. The moral of this story is that I am very lazy and you shouldn't listen to me. Anyway, I'm pretty happy with how this song turned out. I've never written a Final Boss track before, and I think it came out pretty well.