872 words across 5 entries.

Strife! Listen on: Bandcamp, YouTube, YouTube (playlist), Spotify

Andrew Hussie: (MSPA news post, excerpt)

This is a solo album by Tensei. I was really impressed with his stuff, so a while ago asked him to put together an album. We talked about it and thought it would be cool to make a bunch of battle music for hypothetical STRIFE pages. I think two words that adequately describe how it came out are holy shit. His rock sound is sick, incredibly polished and well produced. You'll hear more from him for sure. (And in fact, you just did! He made the Mexican Standoff tune in the new Flash page.)

Speaking of sick, check the cover art by Tauhid. The dude can draw. If I ever stopped doing Homestuck, the whole enterprise could be kept aloft by the prepsterous amount of talent which appears to orbit me.

Homestuck: (Bandcamp download blurb)

Album download also includes a hidden bonus track, plus PDF-format guitar and bass tabs for Heir Conditioning!

Homestuck: (Bandcamp credits blurb)

Music by Joren "Tensei" de Bruin

Includes remixed portions of original songs by Toby "Radiation" Fox and Curt Blakeslee

Cover art by Tauhid Bondia

Tensei: (2019 rerelease blurb)

Hi this is just a reupload/mirror of the original release, nothing new

Time on My Side Listen on: Bandcamp, YouTube, Spotify

Tensei: (via early commentary collection)

With the Strife album, I deliberately left a lot of the background to the songs very ambiguous. There are no direct, obvious references as to what song corresponds to which character, though there are quite a few indications: each song uses an instrument that is typically associated with one of the kids in a pretty prominent way: whether it's the piano lead in Heir Conditioning, the solo violin in Dance of Thorns, the bass and flute (shakuhachi, actually) in Atomic Bonsai, and of course the sampled beats and scratches in Time on my Side. I suppose the titles count as somewhat vague references to the characters as well.

With that said, I'm still not going to explicitly say "This song is actually a strife theme for Dave" or something like that. If Andrew chooses to interpret it as a good backdrop for a fight between Dirk and Jake, I am totally fine with that. Hell, I can totally see it working (And in fact it DID work, since the flash turned out pretty damn awesome)

I always felt like this song was a bit of the odd man out on the album. While I definitely think Dance of Thorns and Atomic Bonsai were awesome in their own right, they also feel a lot more 'conventional' compared to this song.

In a lot of ways, this song is actually very minimalistic. The droning bassline and guitar chugs stay on the same chord for almost a full minute while the buildup is mostly done through sound effects and overlayed orchestral sounds.

IMO, this results in giving the :53 point, where the chords finally start switching up, a much bigger impact (though the full Beatdown motif coming in probably helps too).

Something similar happens at 2:04 where after 30 seconds of the Black motif remaining on the same chord again, you get another switch, and everything just sounds huuuuuuge.

Appropriately to the title, this song has a lot of weird time-shit going on. Disc scratching in and of itself can actually be treated as a nice metaphor for time manipulation (the comic itself definitely makes grateful use of it), so it's no wonder that it's almost omnipresent here.

By far the neatest thing, in my opinion, is 2:35 though. The effect you hear there is actually the ENTIRE SONG up until that point, played in reverse, and sped up so it fits in a couple of seconds. The idea is literally that it 'scratches' and resets the song, much in the same way as happens to the entire universe in the comic, so it can lay down a wicked wah-guitar solo over the 'scratched' version of the song.

So yes, this song travels back in time in order to make itself awesomer.

Joking aside, this song, like most other ones I make, does also have some sneaky hidden references.

The guitar riff at 3:18, for example, is cribbed pretty much note for note from the Metallica song Master of Puppets (maybe this is a Dirk song after all?). The background strings at :37 have a very similar ascending chromatic pattern the intro to the James Bond theme. The high staccato strings at 1:50 are supposed to be reminiscent of the theme from Psycho, or really every slasher flick ever. (Black is associated with Jack Noir, Jack Noir likes to show people his stabs, etc.)

The original inspiration for this song probably comes from the least likely source imaginable. It's not The Prodigy or Goldeneye 64 music, but actually the original score to the movie Space Jam. You probably don't even know or remember it, but a lot of the songs have a very distinct looped hiphop beat, guitars, and orchestral stabs all over the place, much like a large portion of this song.

Seriously, listen to this (dead link) from about 0:50 onward and you should hear the resemblance.

That aside, obviously stuff from The Prodigy's Fat of the Land album bears some resemblance as well, especially with the cheesy bassline. I know that a few Prodigy songs have been used in the otherwise kinda shitty Charlie's Angels movies whenever shit was about to go down, and that's really the kind of vibe I was going for as well.