Gardener
Por Steve Everson.
Carátula por Homestuck.
Lanzado el 24/10/2011.
Duración: 1:44.
Escucha en Bandcamp o YouTube.
Download sheet music files.
Read artist commentary.
Pistas que Gardener referencia: Tracks that this one references:
Pistas que referencian Gardener: Tracks that reference this one:
- From Fandom: Tracks from Fandom that reference this one:
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- you are a furry by Pipko Fanfare
- The beginning of... something by No Funny Name
- go down (cool and new Mix) (feat. John J "Damn, Now Those Are Some Tunes" Renns) by Cecily Renns
- Twenty Fifth of October V2 by Cecily Renns
- The Ascended Twilight Fangirl (draft version) by cookiefonster
- Jaed Chaos by TirantBacon
- Skaian Rebirth by Kris Flacke
- Death by the Time to Gardenlovania (Bassline) by Pascal van den Bos
- Jade English - Study for Eclectic Bass, 1984.1 by Interrobang
- Rainbow Rumpus Partytown by Tee-vee
- Showtime (Homestuck Medley) by narcolepsyDriver
- Arf! by yoyoYolo
Flashes & juegos que incluyen Gardener: Flashes & games that feature this track:
Print or download sheet music files:
-
Tabs by lugiaa
- Gardener - lugiaa.pdf (189.2 kB)
Comentario del artista:
Steve Everson: (Tumblr, excerpt)
This is part of the Bolin Incident. If you don't know what happened, up until half-way through Act 4 a guy called Bill Bolin was on the time, one of the original members. He was a great musician, that much can't be denied; he wrote a lot of tracks that appeared in early act 3; Jade's bass solo, the remix of it, the last part of the Dave and Bro battle... some others I forget. During that flash with Dave and Rose on Derse the original music was five Bolin tracks, ones he wasn't all that happy with. He flipped out and did a lot of things that ended up with him dropped from the team, and his music replaced.
I called replacing Jade's bass solo (I was enthusiastic about getting something of mine into the comic). We figured there'd probably be an existing piece of music used for the remix on Prospit so there were a couple of different versions remixing different tracks until Something Really Excellent was locked in.
We were on a strict timetable at the time, so I didn't get the chance to find a really good bass voice or find a good rhythm. That was much improved for the actual release in Volumes 1-4.