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7 GRAND END

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By Discfortune discfortune Bandcamp discfortune SoundCloud Discfortune Twitter, koba kobacat Bandcamp kensabrush SoundCloud Spotify Spotify kensabrush Twitter YouTube YouTube kobacat Tumblr kobacat.com Other, SplitSuns splitsuns SoundCloud, Minish minishLAN Twitter minishlan.github.io Other, TirantBacon maxy3 SoundCloud tirantbacon SoundCloud, StarlightCalliope, Wheals wheals.github.io Other, WHATISLOSTINTHEMINES what Bandcamp whats-this-thing-here SoundCloud, MoreEpicThanYou747, Isoleucine, ostrichlittledungeon ostrichlittledungeon Bandcamp, Noisemaker noisemaster Bandcamp baseline7 SoundCloud, Rom M bfan.link Other romm Bandcamp rommandel SoundCloud dissectumusic1 SoundCloud Spotify Spotify YouTube YouTube rom_mandel Instagram, Cecily Renns johnjrenns Bandcamp user-621444340 SoundCloud YouTube YouTube CecilyRenns Twitter johnjrenns Twitter CecilyRenns Patreon, cookiefonster cookiefonster Bandcamp cookiefonster.com Other, Pipko Fanfare pipkofanfare.com Other pipko Bandcamp YouTube YouTube FanfarePipko Twitter, Hadron hadronus SoundCloud YouTube YouTube hadronus Tumblr Hadronus Twitter hadronus.com Other, ft-rj ft-rj Bandcamp ft__rj Twitter ft-rj Tumblr, and Interrobang.
Cover art by nights itsnightsyo SoundCloud night_lights_ Twitter itsnightsyo Tumblr oceanfalls-official Tumblr oceanfalls Patreon oceanfalls.net Other.
Released 12/26/2016.
Duration: 9:03.

Listen on Bandcamp or YouTube.

Read artist commentary.

Also released as:

Tracks that 7 GRAND END references:

Tracks that 7 GRAND END samples:

Tracks that sample 7 GRAND END:

From Fandom:

Lyrics:

It's a Kermit the frog remix

(Kermit, kermit kermit, kermit kermit the frog!)
(Kermit, kermit kermit, kermit kermit the frog!)
Kermit, kermit kermit, kermit kermit the frog!
Kermit, kermit kermit, kermit kermit the frog!
Kermit, kermit kermit, kermit kermit the frog!
Kermit, kermit kermit, kermit kermit the frog!

Kermit, kermit kermit, kermit kermit the frog!

Kermit, kermit kermit, kermit kermit the frog!
Kermit, kermit kermit, kermit kermit the frog!
Kermit...

(Kermit, kermit kermit, kermit kermit the frog!)
(Kermit, kermit kermit, kermit kermit the frog!)
(Kermit, kermit kermit, kermit kermit the frog!)
(Kermit, kermit kermit, kermit kermit the frog!)
(Kermit, kermit kermit, kermit kermit the frog!)
(Kermit, kermit kermit, kermit kermit the frog!)
(Kermit, kermit kermit, kermit kermit the frog!)
(Kermit, kermit kermit, kermit kermit the frog!)

Bowman, bowman bowman, bowman, bowman bowman
Bowman, bowman bowman, bowman, bowman bowman

Bo-bo-bo-bow (Mayor, mayor)
Bo-bo-bo-bow (Mayor, mayor)

Artist commentary:

Discfortune: (Composer, 0:00-0:30)

Triplets and sixteenths suck together but it's too late to change that now.

koba: (Composer, 0:30-0:51)

So this was fun to work on. I tried making something that wasn't totally a midi, and I think it came out pretty well. Also, merry Christmas.

SplitSuns: (Composer, 0:51-1:02)

Fun fact: originally I accidentally made this part twice as long as it should have been. Whoops! At least we all figured it out before this thing was put together. Anyways, this part of the song ended up sounding pretty spacey and epic, and to me at least, not unlike something C418 would compose. Go check him out, he made the music for Minecraft and is a pretty cool guy.

Minish: (Composer, 1:02-1:26)

First music I've contributed to the team since Volume 2, actually. I took a break from the team because I couldn't do anything original and lacked the proper motivation to work on the CANMT. I hope to come back to it one day, but no promises. Also, the original version I produced is absolute garbage, Hadron deserves any and all praise.

Hadron: (Composer, 1:02-1:56)

Hey this is hadron and I'm cool like sunglass emoticon.

TirantBacon: (Composer, 1:21-1:56)

Fun fact 2x combo: I didn't actually make this song for act7 originally. Regardless of that, it was a pleasure to make this song for any productive work, and to have hadron remake it in his own style. This song was made without any real acquired inspiration from other songs, which believe it or not is what I typically don't do when I make music. I really like the way I arranged the song, and how it sorta shifts into a piratey theme towards the second half in the full version (I'm not sure if that makes it into the overall act 7 theme).

Wheals: (Composer, 2:12-2:35)

CRASH. I had a lot of fun with this, my first time trying anything orchestral, and it's probably the best thing I've made so far. For a little extra fun I made it entirely with one sample pack that I had just gotten. Unfortunately I scrapped my original plan to use Voidlight in this section, so the song has still never been referenced.

WHATISLOSTINTHEMINES: (Composer, 2:35-3:21)

SUDDENLY, THE LONGEST PART WRITTEN BY ONE PERSON COMES. This section was made in the span of about 2 days, after the people originally slotted in for this section bailed/didn't finish/were rejected. I think it kind of shows? Still, even if I'm not entirely happy with my piece for this collaboration, it at least blends well with the next section. (Fun fact, originally, the second half of this was just snow halation layered over the original audio. Sadly, that was rejected, but I kept its memory alive with a snow halation piano arrangement instead.)

Isoleucine: (Composer, 3:21-3:57)

I was like, "hey you know how flare changes the tone with the backing? Let me do that, except different!" So I did the piano and stuff on top of the melody, and then it just kind of unwound from there, adding more and more motifs and then more flare because it's the best motif. Fun fact: there's 6 synths here. 2 additive, 1 subtractive, and 3 FM of sorts. It works. Pretty good I guess.

ostrichlittledungeon: (Composer, 3:57-4:24)

Say there, have you heard the story about the Donkey Ollie Ollie? Say there, have you heard the story? Ollie is his name. Everywhere that Donkey Ollie travels, folks may shout hooray! Say there, have you heard the story? Ollie is his name. Ollie is his naaaaaaaaaaame.

Noisemaker: (Composer, 4:24-4:56)

Buffskull just went super saiyan.

Makin: (Wiki Rando, 4:24-4:56)

Hey, this later became Buffskull and got a full version!

Cecily Renns: (Composer, 5:35-6:05)

I was the first one to do anything for ACT 7, but in the end this part feels fairly discordant because of its preceding parts.

cookiefonster: (Composer, 6:05-6:20)

I just built off the previous part with Smash Mouth on flute and other stuff I guess. The main lesson I got from making these 15 seconds of music is that orchestra bullshit is easy as fuck to make. Also the bowman sounds playing Arisen Anew were supposed to be synced with Aradia but Hadron messed that up.

Pipko Fanfare: (Composer, 6:35-6:55)

Does this count as 3, 4, or 5 motifs? Even I don't know at this point!

SplitSuns, with Hadron: (Composer, 6:55-7:20)

When Hadron offered to make this part a collab, I jumped at the opportunity to do so. The instrumentation I implemented is pretty similar to my previous contribution to this track, which I think is nice as it offers some more cohesiveness overall. Maybe.

ft-rj: (Composer, 6:55-7:20)

I made this section before it was surrounded by good musicians. That is all. (Also, bonus bowman for 7:20 timestamp). Who likes my extremely good leitmotif usage? Not me. Also, DVS sax. Why not. My inspiration from this came from the video, the 7:20 timestamp, and my favourite motif ever (unintentional).

Hadron: (Composer, 7:50-8:19)

See the cool thing about Jhon Egbrets What If? ROLLERCOASTERS: Fates is that, in the easy version of the game where you build all metal coasters, Dadd Egbret is your dad; but in the hard version of the game where you only build wooden coasters, Obana is your dad. It's meant to be symbolism for the shaken economy; that's why your wooden coasters fail a lot more than your metal coasters. However, it makes you feel glad when the coaster stays up, much like how Obana might feel if the economy stayed up. Anyways this is a motif from that game also there's FORMATION which is a pretty good song by a cool guy also it's going to be remixed by some other guy but I don't know when and how but he is a cool guy

Interrobang: (Composer, 8:19-9:03)

The one thing that I knew had to be in the final section of Act 7 was Roundabout. Initially I attempted to fuse the end of that song with Even in Death, but that idea had little success. Frustrated, I settled for the acoustic guitar part of beginning of the piece (with some changes) and added in some atmosphere, which noatably included Foley, used near the very beginning of the comic. Finally, after deciding that Yes's original resolution was not professional enough, I added just a splash of another song that I felt represented some of the fandom's reaction to that ending - see if you can spot it!

nights: (Artist)

Paint crashed while I was drawing this so I had to friccin redo it a couple times. Please enjoy the product of my eternal suffering.

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