3,2 mil palabras en 82 entradas.

Intermishin Listen on: Bandcamp y YouTube (lista de reproducción)

Ephemerald: (Cover Artist)

This is by far the most complicated piece of art I've done for the team yet. Since the album itself is split into two halves about both the Felt and Midnight Crew, I wanted both parties to have equal representation on the cover. (I was planning on having Vrasky/Snowman included, but it was really hard to find space for her - everyone's super close together as is! So I settled on having her hat/horns resting on the piano.) An idea quickly sprang forth - the entire Felt, staring in horror at the shitty Midnight Crew. The Midnight Crew's poses and positions in this cover mimic how they looked on Drawing Dead (plus blush on the cheeks!). Since I've had a couple people ask - none of this is ripped from Homestuck. I drew all of it myself! I did use a ton of reference though, from the aforementioned album cover and images on the wiki. The background is based off of the Felt Manor's first appearance in the CANWC intermission. All the colors are adapted from The Inaugural Death of Mister Seven. Originally, the entire Felt was supposed to be monochromatic, but after some people told me to change up the color scheme, I realized that this effect made everything kinda pop, and look a lot more unique. I'm really proud of this piece! I hope you enjoy it, and I hope you enjoy everyone else's contributions to this album! I know I do.

Ngame:

(Community listening stream w/ chat)

~~MIDNIGT CREWD SIDE~~ Listen on: Bandcamp y YouTube

cookiefonster: (Composer)

licord nacrasty always seemed to me like a fitting theme for some corrupted version of the Midnight Crew. Now that that's an actual thing I quickly took the opportunity to make a disk jingle out of it. Then people proceeded to do much more interesting songs with it but this is still a thing that happened I guess.

Shadok: (Artist)

I actually made this early during the intermishin, so i kept updating it everytime something happened to the characters.

The Hideout Listen on: Bandcamp y YouTube

Wights End: (Composer)

I don't like this. It's boring and the bass isn't tuned properly. I made this so long ago that I have no idea what was going through my head at the time. what time signature is this? according to the FL project file it's in 4/3 but that sounds stupid and wrong.

Wights End: (Artist)

oh fuck, I did the art for this too?

We Are Midnight Crew Listen on: Bandcamp y YouTube

Wheals: (Lyricist)

Originally dC made this as a DVS-font-swap of WANO called "We are Toby Fox" but didn't have any lyrics ideas; I suggested making an intermishin song out of it and did a rewrite of the canon lyrics in a few minutes. Turned out pretty well, since you can't exactly go wrong with DVS sax.

cookiefonster: (Voice Actor)

I'm amazed my recording of vocals didnt turn out like shit

Shadok: (Artist)

Nothing to say on this one

Smooth Coaster Listen on: Bandcamp y YouTube

WHATISLOSTINTHEMINES: (Composer)

I apologize for any false expectations set by the title.

cookiefonster: (Artist)

me too.

Heck the Clonk Listen on: Bandcamp y YouTube

Interrobang: (Composer)

This song has a clear story. Theres a clock, and spades h*cks it up. Then it restarts a little wonky, and spades h*kes it up some more. Rinse and repeat. Time signatures used: 4/4, 15/8, and 23/16. (and 13/8 for the end). Samples used: that one page where Slick hecks up a clock in HS, and The Broken Clock by Jit.

CreatorOfJanespeak: (Artist)

don't ask how the crowbar stabbed her because it's not sharp enough and wasn't plunged through hard enough; you'll never get an answer. :wackyZany:

Ode on the ,midight crewd Listen on: Bandcamp y YouTube

Wheals: (Composer)

This is an ancient idea I had, dating all the way back to the days of voulem. 1 when I made an HB song -- I wanted to make a song for every member of the MC, then finally a song that used all four previous. The intermishin album provided the best possible motivation to actually get down and do this. I'm not super happy with the song honestly, but it was something I felt I had to make to complete the plan I made all the way back.

Austinado: (Artist)

this piece really speaks volumes of its intense creation process, i did it in like half an hour with two cans of Mtn Dew Code Red™ and an inspiration to not only put every important item and person in the intermishin on these pictures, but to also run out of ideas and put bart simpson on it instead of something else

also also read vast error

Licord Jazzcrasty Listen on: Bandcamp y YouTube

WarxTron: (Composer)

This is my first song on a CANMT album, so i think it's kinda shitty, but i like it anyway and i hope you do to :)

XenoZane: (Artist)

i dont know why i am credited at all for this i did jack shit lmaoo

Scarodactyl: (Art Improver)

It was inevitable

Fresh Jimmy's Fresh Swingz (ft. vrasky) Listen on: Bandcamp y YouTube

cookiefonster: (Composer)

Everyone else made character themes or random original compositions for this album but I suck at both of those. I still wanted to contribute to this album so I decided to arrange an existing song in jazz style. It's not exactly intermishin related but Fresh Jimmy is a free pass for everything and I'm fairly happy with the end result.

Scarodactyl: (Artist)

When cookiefonster mentioned the track's title this image immediately came to mind. The song might not have anything to do with Michael Jackson, but that Jimmy is one Fresh Criminal.

Jousting Match Listen on: YouTube

Grace Medley: (Composer)

hey finally a song about a midnight crew character who isnt SS

nights: (Makin ghostwriter)

problem sleuth is rad, its fucking as rad as balls and you should read it if you want to explode because its fucking rad

smashed your cloncks (youre wellcome) Listen on: Bandcamp y YouTube

ft-rj: (Composer)

i like it probably

ft-rj: (Artist)

i made this in.. i don't know how long, my watch is broken

The Black Death Listen on: Bandcamp y YouTube

cryptologicalMystic: (Composer)

HAPPY HAPPY FUN GAMBLE LUCKY JOYFUL ＴＩＭＥ ＴＯ ＤＩＥ

cryptologicalMystic: (Artist)

because flaying someone to wear their skin as a disguise is a tactic right out of a goddamn horror movie and i wanted to draw attention to this fact

Stab - Stab - Stab Listen on: Bandcamp y YouTube

Interrobang: (Composer)

I had an idea for a Knife Party based Spades Slick song a while ago, but I scrapped it because i couldnt really think of where to go with it. However, I did have this other random piece that I was working on that was Walk-Stab-Walk but the ‘drums’ were those weird ASMR noises from Rain from Medium. At some point I realized I could just combine the two, and this song was born. Actually I’m really happy with how this turned out, I only wish I could have thought of an excuse to use Internet Friends samples. Special thanks to Bob for making my original track art idea look good.

bobthetacocat: (Artist)

"i want the track art to be like this but i can't seem to make it look right"
"i got you one sec"
(like 5 thousand days later)
"how's this"
"yes cool good"
"okay cool but let me add MORE"

Symphony of W&Z Listen on: Bandcamp y YouTube

Cecily Renns: (Composer)

a wacky and zany song i made for the felt, but crypt said the blues feel makes it better for the MC, but the instrumentation is all orchestral which is felt, this is a CONFLICT but i just did what crypt said anyways

Makin: (Artist)

Liquid NegrociTown Listen on: Bandcamp y YouTube

SplitSuns: (Composer)

I actually started production on this song before the idea for Intermishin developed. Someone had an idea to mash up Liquid Negrocity and We Are Number One, and I jumped at the opportunity after realizing how similar the chord progressions were. Originally this was going to go on a later album, but after realizing that this was originally a Drawing Dead song I decided to move it to this release. I wanted it to begin in a similar way to my first song "The Endless Black" before quickly diving off the rails into pure insanity. I wanted the song itself to have the instrumentation of WANO with the bass and piano providing the Black-bone, if you will (and I certainly shall.) Robbie's distinctive voice tied the whole thing together, and I had a lot of fun chopping and echoing it up throughout the song. To break up the main idea, I put in a Ballad of Jack Noir-esque tune near the end that I think really helped charge the song with some energy. And of course, it ends in a big finish before fading out in the same way as Liquid Negrocity. This track was pretty complicated to produce, but I think it turned out very well in the end in terms of balance!

Fun fact: there's a reference to Siiva's first WANO rip in the song. I wonder if you can spot it...?

Ephemerald: (Artist)

The basic idea here is pretty simple - combine Spades Sleck and Robbie Rotten to get utter hell. The background is meant to invoke the first panel of the Intermishin - you can see the gateways, the flame, the shitty rug, and a clock throughout the image. At first I just wanted to draw a hyperrealistic version of Sleck's shitty head, but along the way that turned into making his head be a reasonable facsimilie of Robbie's own head. I also modeled Sleck's knife off of the knife he wields very early on, but tried to make it look three-dimensional, once again attempting to convey a hyperrealistic shitty drawing. I made this track art before the album cover, and looking back, those principles are clearly echoed in it as well. The Midnight Crew's lines look pretty much as clean as the Felt because of how "hyperrealistically shitty" I went, so I had to go back and .jpeg them up a bit. I didn't do that with this because... I'm lazy??

Midnight Listen on: Bandcamp y YouTube

TirantBacon: (Composer)

In many ways midnight suffer was a really Jack Noir feeling song, so I decided to remix/remaster it so that it sounded much more improved. Fittingly the intermishin album idea came into fruitition while I was just finishing the remaster so luckily I had a song for the MC side. I am fairly happy with how it sounds. It took me ages to get the mixing right, and even then I still think certain parts of the song could be improved. Nonetheless I had fun making it and I hope you enjoy it!

Makin: (Artist)

smooth mcgroove - licord nacrasty Listen on: Bandcamp y YouTube

Pipko Fanfare: (Composer)

bah bah bah baaaaaah

ft-rj: (Artist)

bah bah bah baaah...?

~~INTERMISHIN INTERMISHIN~~ Listen on: Bandcamp y YouTube

Wheals: (Composer)

"Do we really need a jingle for a section that consists of a single song?" you might ask. Well, if you have to ask, that's just proof you're just insufficiently cool and new.

I always appreciate a chance to do some semi-live piano work, and I love flare!!!!!!! So here's a thing that riffs on their shared chord progression, leading into Dif's rather more in-depth exploration of the subject.

Shadok: (Artist)

This is a referance to something but i'm not telling what. + coloring this physically hurts me

Three in the morning (Dif's JUST GO THE FUCK TO SLEEP ALREADY mix) Listen on: Bandcamp y YouTube

Difarem: (Composer)

this progression haunts my dreams send help aaaaaaaaaaaaaaaaaaaaaaaaaaa

yazshu: (Artist)

~~FELT SIDE~~ Listen on: Bandcamp y YouTube

cookiefonster: (Composer)

I tried to make this one different from the MC jingle and not sound as corrupted. Did I do well or are the chord patterns too grating??? :itisamystery:

Shadok: (Artist)

Same for midnigt crewd side, expect i really wanted to draw snowman not vaska gAAAAAAAA

Green Mansion Listen on: Bandcamp y YouTube

tempest2k: (Composer)

One day I guess I decided to stop being shit at music. I don't remember what inspired me to make this, but I really wanted to try using different instruments and take advantage of certain patterns. I am a bit stubborn when it comes to making music, as most of what I compose I try to make without referencing motifs, so I wanted to make my own. Something catchy and, more importantly, GOOD. I made something good, but it was short, and Felt (pun entirely intended) like an introductory track. That's when Difarem swooped in and asked for a midi of the song, which he then turned into something AMAZING. All of the motifs you hear in this song aside from the original ~30 seconds of the song were all added by him, and I have to say they were added quite masterfully. I had once planned to make this be the first of a set of tracks for every member of the Felt, but I only ended up making around 5 or 6 tracks. Most of them were garbage, so you aren't missing out on much.

Difarem: (Arranger)

Haven't got really much to add to what Roxe said, but I'm pretty proud of how this track turned out! Some parts could be still worked on, though, and I'm a bit ehhhh about the instrumentation. Oh, and bonus: I self-plagiarized at one point.

bobthetacocat: (Artist)

"here's a sketch of what i want the track art to be"
"i got chu here you go like this"
"yeah that's good"

Emerald Moonlight Listen on: Bandcamp y YouTube

CogentInvalid: (Composer)

this song is in 7/4, thats how you can tell im a TRUE ARTIST unlike the other CHUMPS!!! on this album. that sright, i SAID IT. get owened noobs

p.s. this commentary is ORIGINAL CONTENTS, no one plagiarize or else ill hunt you down and h*ck you up with my TAE KWONDO TRAINING, uh oh better start running kid B)

Cloudaria: (Artist)

this art was made in paint.net, thats how you can tell im a TRUE ARTIST unlike the other CHUMPS!!! on this album. that sright, i SAID IT. get owened noobs

This commentary is licensed under a cc-by-nc-sa Creative Commons License.

Makin: (Commentary transcriber)

uh-oh

Blue Laggard Listen on: Bandcamp y YouTube

Discfortune: (Composer)

audacity.jpg

CreatorOfJanespeak: (Artist)

i just had to

Decade-Long Evening Listen on: Bandcamp y YouTube

GoomFloops: (Composer)

This is very much a track leftover from a collab album myself and the esteemed DHE were working on, but I still like it. It's very slow, very minimalisitic. It also sucks ass, but that's beside the point, y'know?

Cozy Skeleton: (Artist)

Lost Track Of Time Listen on: Bandcamp y YouTube

ft-rj: (Composer)

mmmmmmmmmmmmmmm 3/4

ft-rj: (Artist)

i only did the backgroand cloncks

Shadok: (Artist)

Someone suggested to do the felt in rollercoasters soooooooooo

ft-rj: (Artist)

that was me dnunkass

Prying Time Listen on: Bandcamp y YouTube

tempest2k: (Composer)

I made a song and then JJJR decided to make it look shit in comparison. Thanks Cecily.

yazshu: (Artist)

oh my god im just playing club penguin rewrtiten asnd its making me legit kind of emotional. like just the waves of nostalgia and shit and how it feels and seeing all the cool shit

The Fixed Clock Listen on: Bandcamp y YouTube

Pipko Fanfare: (Composer)

Fun fact: Taking a great song in 13/8 and converting it to 4/4 makes it way less interesting! Still, this was good practice at making more convincing orchestral parts and working with articulations and other little performance nuances.

Cloudaria: (Artist)

if you dont get the joke, its a music thing. dont worry non-music people, it isnt funny

Die. Listen on: Bandcamp y YouTube

Mathias Ramalho:

He-hey! I haven't planned anything else for a track like this, y'know? The name is pretty self explanatory. But what else might be?

Cloudaria:

it's honestly not even that big of an edit but i have to say it's my magnum opus

Inaugural Listen on: Bandcamp y YouTube

Cecily Renns: (Composer)

i transcribed prying time because i was bored then made this in an hour because i was bored

nights: (Artist)

crowbar is my husbando

J8de Spider (Dadde Edition) Listen on: Bandcamp y YouTube

Nicholas Nakano: (Composer)

I felt like it needed some spooky time gimmicks. There are spooky time gimmicks

Scarodactyl: (Artist)

I really like this track, and this was what came to mind from the title. It's a bit less overtly relevant and/or muscular than my usual but it felt like the right approach.

The Enduring One Listen on: Bandcamp y YouTube

NyashAlex: (Composer)

Rarely has a work of fiction ever had so great an impact on our culture as Moby Dick. Even amongst those amongst us who have the misforunate of being born outside the United States it is considered a cultural landmark. A significant portion of praise for the novel is for the characterisation of its... Deuteragonist, or antagonist, or something else? Just mentioning Captain Ahab summons a vision of unstoppable, furious vengeance. On every page of the novel his anger and hatred for the white whale burns. JohnJRenns serves a similar function to the whale in the Homestuck fanmusic community, being an unholy and incomprehensible terror that we all flee at the name off. Of course, the novel would not be complete without copious referencing to the most famous novel of *that* era, namely Homestuck by Nathaniel Hawthorne. Some even consider the character of the white whale to be loosely based off the character of Sawbuck from the earlier Homestuck, both being huge masses of blubber which show little to no indication of intelligence. This piece of music was composed to represent the slow, onerous march of Sawbuck, unstoppable, his forward progression inevitable, no wounds slowing him down. Under any circumstances, do not attempt to attack Sawbuck, for this will backfire. Could you face off in a head-to-head against this time-bending monstrosity? Killing him is no walk in the park, it's safe to say.

Austinado: (Artist)

dont hurt the big one he just wants to have a nice time with his friends and have a few butterfingers

Breakfast In Dead Listen on: Bandcamp y YouTube

tempest2k: (Composer)

i made this so long ago i honestly cant remember if it was a shitpost or an honest attempt at music

Scarodactyl: (Artist)

The game I always dreamed of: The Swedish Chef's Kitchens of DOOM II Online

Common Cents Listen on: Bandcamp y YouTube

tempest2k: (Composer)

One of the three leprechaun songs I made that survived the purging of my failed creations. It's pretty damn good if I say so myself.

tempest2k: (Artist)

good art from me??? what. thats fucking wild.

Variating Sides Listen on: Bandcamp y YouTube

koba: (Composer)

So this song was made as a more of an album ender, incorporating (rather just editing together) songs from the album into one. Its mostly taking inspiration from Variations which was the album ender in the original Felt album. Before this, I was going to make a Jade Dragon-type song, but halfway through it started to take too long so I scrapped it. There's still a snippet in the song though, at the end, so it didn't go to waste. Maybe I'll finish it one day and it'll be the best thing you have ever fucking heard idk

Makin: (Seer)

This does reference the song "jaed dargon" by koba, which has not been released as of 2023.

Sozzay: (Artist)

I quite literally lose my shit over anything intermission related so I had the time of my life drawing this track art. While I can’t give an exact number, I can say this piece took me around 15+ hours. I experimented a lot with the lineart as I lined with a brush I was fairly inexperienced with. I chose a brush which emulated inking as I felt it made the characters look much more eye-catching. I also felt it made the entire image itself look harsher which I believe reflects the rather rough nature of the intermishin (and intermission) pretty well. I probably enjoyed drawing Vaska (Vrasky?Vaksaks? Snowmom?) the most and admittedly took inspiration from manga when lining and shading her hair. I overlaid the image with a texture and applied a lot of saturation to finish this piece off as I wanted the end result to look kind of like an old vinyl cover. Overall, I am very very happy with how this turned out!

Ringleader Listen on: Bandcamp y YouTube

Discfortune: (Composer)

this song is in 7/8, thats how you can tell im a TRUE ARTIST unlike the other CHUMPS!!! on this album. that sright, i SAID IT. get owened noobs.

bobthetacocat: (Person)

((wow okay))

nights: (Artist)

this song is probably my favorite in the whole album. it deserves better art. also read oceanfalls, it has art like this (maybe, sometimes, somewhat ;-; )

Scratching Consequences Listen on: Bandcamp y YouTube

TirantBacon: (Composer)

I wanted to make a really omnious super serious track for the Felt album. This song was actually made as an idea for the Felt manor but I eventually decided it would be a good theme for Scratch (or O I think) considering the clock sounds, the reversed ostinato and the serious swinging beat I totally didn't sample from another website. All in all it sounds good, it's brief enough to give you an insight into a character we haven't met yet, and it in some ways foreshadows something to possibly come.

CreatorOfJanespeak: (Artist)

"o"

1 Through 15 Listen on: Bandcamp y YouTube

BitesizeBird: (Composer)

Started off as a sad, lamenting song. Some of the melody sound like English so I thought "PUT IT IN D-MINOR!" I also wanted to try emulating the idea of "He is already here" so I hid the motif of the last four notes throughout the song.

BitesizeBird: (Artist)

wowww thats a spook